Just importing a picture give a strange effect, the paint behaves like a thick layer of coloured powder about 1/8" thick. This way it behaves like a thin coat of wet paint. A good traditional oils starting point.
Any original picture will do, I prepared a couple of these in Corel and then saved them as jpg,s. You could do it by getting a canvas to your liking in Artrage then exporting it before carrying out the procedure.
1. Using Import, bring in the picture that you want to prepare, by default Artrage will put this on to a white canvas.
2. "Drill" a fine hole in the corner of the painting with the Eraser, so the canvas colour shows through.
3. Export the picture as a .PNG, very important!
4. Import the picture again.
It now has a very thin coat of paint on it.
I will add a pic I've sent before to demonstrate the difference for new people. Liquid Black is on the right
Thanks much for your response, Phil. The effect is very neat, but it does seem to "swallow" the pigment in the paint you put on top of it, leaving what appears to be a pure white (or black?) "glop" that you can rake around on the canvas. I'm going to fool around with trying to unglopify it.
--Newstech
Dear Phil.....I have copied both black and white versions...but the copies are automatically in bitmap form when you 'save'...these are in my pictures folder okay but as bitmap... and you have stated they must be kept in png.... or is this just when exporting from Artrage, and importing again...because I have noted that ANY picture exported and then imported again""wets"" the paint of the whole picture....ANY picture....... Jack.
Dear Phil...are you going to re-post the white and the black papers at 800 pixel width,and in PNG...And I will have a go at saving them in PNG..Or are you going to do something different now?????..........Jack.
I think I'm learning, from the glop perspective, that the most important thing is a light touch. If you dump paint from a tube and then use a heavy palette knife, you'll get weird white ridges. But if you back off on the pressure and draw the paint over the canvas gradually, and repeatedly, you can get stunning effects. I don't know that it's exactly analogous to any real-world behavior, but it's very nice all on its own. Thanks again.