Really groovy images.
I especially like how you have these sort of amorphous general shapes happening in which the painting is more painting than subject.
It's as if you scattered a bunch of colored bits onto a table and began arranging them until they started to represent something.
It is somewhat analogous to Michaelangelo's unfinished slave sculptures (which I admire so much) -- where it traces the path of its creation from pure stone, through the roughing in stages to the more refined bits. Often times I admire that more than a polished finish perhaps because it shows utter faith and self-confidence that the artist will find that tipping point where it just tells enough conscious information while letting the paint have it's moment as paint.
It's like the difference between petting a fur coat vs petting an animal.
In these paintings, the animal in this still lives, yet it has been tamed.
"Not a bit is wasted and the best is yet to come. . ." -- remembered from a dream