Interesting variance in technique between the Abbotsford barn and the one below it also from Abbotsford. Both have a fine look for different reasons. The barn has a feeling of choppy, somewhat dry transparency (which fits a weathered barn and the scrub around it) while the one with the tree is creamy as if the golden hour light has taken and smoothed out all the rough edges of the day sort of like a memory.
But they're all great. Nice self-portrait as well. They don't all need to be detailed, especially in the dim light where you don't always see everything unless you're really after a likeness. Has a natural feel that way.
Cool!
"Not a bit is wasted and the best is yet to come. . ." -- remembered from a dream