a more restrained use of large forms to create the movement and sense of space and light.
a more restrained use of large forms to create the movement and sense of space and light.
Still got that fabric thing happening I think. Has a feel of bold plaid ala Boomtown Rats era. Like a bit Pop without the symmetry that was so key in some of those works back then. But the colors are bright and mostly flat shapes (even in the texture looking bits) with a few gradients. Personally I'm less of a jarring hard edge kind of guy, but this has precedent.
Go man go.
"Not a bit is wasted and the best is yet to come. . ." -- remembered from a dream
Gary, I have been lurking and watching your work for some time and I have to say I am astounded at how you are able to make something that looks like something I want to touch in a museum only to have my wrist slapped by my mother in law who then says "Jay, we do not touch the art in the Museum".
I want to reach out and touch this but I know you did this in Artrage and it is digital and it simply astounds me.