I didn't think Rachael could get any sexier. I still think that was Sean Young's stand out role by far. Was like watching an enchanted sculpture or deity with some nearby incense burning in her ubiquitous cigarettes or archetype possessing a less animate object, maybe not altogether comfortable in that form. I think in your painting you captured the essence of the presence she created and converted her back into an image, only barely. Feels as if she could move at any moment.
"Not a bit is wasted and the best is yet to come. . ." -- remembered from a dream