Still looking great as far as the drawings go. The studio stuff takes on a little bit of the ol' German Expressionism. Very cool stuff. Stylizations of different kinds tend to group one into the existing tone that is evoked previously. So looking like Lautrec would make me think of a cavalier theatricality. Looking similar to Scheele, as with your latest nude sketches, makes me think of edginess and introspection brought on by lean times. So when painting in an existing style it's like painting with more than paint. Ain't always so. But it's a cool thing.
And then of course comes the time when one's body of work becomes large enough, it takes on that voice.
I have no trouble seeing anymore this range as part of your style (for as long as you do it this way). But I am also starting to experience it as your voice with that quality that is your own, not unlike being able to recognize the sound of your voice. All kinda goes together.
And within that voice, you are getting more and more polished, while maintaining your look. Very cool.
And as to the color stuff -- the roof tiles. . . nice and patient. Paid off all that you put into it. Each tile becomes like a piano key on a grand keyboard.
And as to the horse, what can I say but "Hello Dali'". . .
Nice work, 78-
"Not a bit is wasted and the best is yet to come. . ." -- remembered from a dream