Weeks' digital sketchbook & "lab" !

[AndreaMG]

Hi Weeks,I took some time to take a look at all your works, very inspiring stuff, avant garde in a certain way! It's funny how our approaches are so totally different, you draw perspective lines, grids and so on while I just paint what I see blocking in

[Weeks]

Hi AndreaMG, thank you guy for the compliments. I'm not sure to be able to take a pen and just draw something or... I have to much ambitions and i want to explore a certain level of complexity.
That way, i need a minimum of lines and construction. But when i see for ex, Gustav Klimt 's masterpieces, i don't see any perspective lines except... on his draft

SilverO, so good to read you. Thanks.

Best,

Weeks

[stevemawmv]

Hey Weeks,
Love the complexity!
Explore on my friend, enjoy seeing the individual breakdown of your
paintings, helps me and I'm sure others to understand technique's and style
evolutions....
Keep the "lab" flowing with
your imaginative work!
Take care,
Steve

[Weeks]

Hehe Steve
Thanks. Take care too.

We are here to share... What we can.

Best,

Weeks

[Weeks]

In progress...

Best,

Weeks

[Weeks]

New portraits again and again... May be to become on day, oil paintings ?!

Best,

Weeks

[Caesar]

Your simultaneous multi-painting how all Your virtuoso talent! I enjoy very much looking at Your awful capability and creations as well as to look at some clues suggesting the process you followed!

[D Akey]

It's sort of bizarre that I would prefer the paintings when they include the perspective and structure lines, but it gives it a particular structural, mechanical, draftsmanship character. Makes the world feel unformed as a work in progress itself, which in a sense it is in reality. Also overlays everything with the feeling of trajectory. It feels to me as if it's a world seen through the eyes of a physicist at the Einstein level deep in thought. Like living in a hyper geometric-centric reality -- perhaps even through the eyes of a sentient robot.

Nice stuff.

[Weeks]

D Akey, thanks man, i'm agree with you.
Of course this "drawing line's perspective technique" is a good way to structure any graphic creative process which use geometric forms buildings, etc, but in the same time i realise it gives something more to the draft. That's why i try to keep few lines here and there.
I'm exploring all these techniques to be able to create nice deepness in each painting. We have to deal with the third dimension.

Hi Caesar, your comments and compliments are so exiting, so enthusiastic that they would miss all of this forum if you would stop. Thank you my friend on behalf of every Artragers out there
I think one of the goal of this place is to provide and to show to anyone and when it's possible, the creative process, the inspiration and the techniques everyone uses. If i can help showing my own...
Otherwise, i like this strange idea to give an extra chance to any "paintings" and to accept to come back infinitely on it.
But i like when a finished project meet the attention, the enthusiasm of each of our friends here.
(sorry for my risky english explanation )

Best,

Weeks

[stevemawmv]

Hey Weeks,
Thanks for sharing the progressions on the last one, name tag 'sybil'.....
Haunting and mysterious eyes, one could maybe say... "Far Away Eyes".
Always liked that Rolling Stones song, made me remember it. Really
enjoy viewing your creative processes at work!
Always keep it in 'Drive'.....
Take care,
Steve