chinapete
03-26-2013, 08:38 AM
This (unfinished) drawing highlights some features of the overlay blend mode on the iPad ... Four layers: a base with textured and toned paper, a drawing layer, and two color layers, one is a kind of payne's grey and the other a chinese orange (the palette is borrowed from Marie's Chinese watercolors) ...
The base with the toned paper is set to normal blend mode ... All other layers are in overlay: line drawing is set to 40% opacity, then there is a pure grey layer at 100% opacity, and then a grey-orange mix at 50% opacity (these opacities of course are variable) ...
Since my goal is to find a means of imitating the body and transparency of chinese inks within a single application of line or color, I am trying to use the overlay blend mode with different layers set at different opacities to take advantage of emerging transparencies and optical mixes, for example in the way the dark inks fade in some areas of the fins and the head ... Another goal is to do this with the least number of settings and steps, though I'm sure someone will tell me it can be done more easily some other way :)...
The base with the toned paper is set to normal blend mode ... All other layers are in overlay: line drawing is set to 40% opacity, then there is a pure grey layer at 100% opacity, and then a grey-orange mix at 50% opacity (these opacities of course are variable) ...
Since my goal is to find a means of imitating the body and transparency of chinese inks within a single application of line or color, I am trying to use the overlay blend mode with different layers set at different opacities to take advantage of emerging transparencies and optical mixes, for example in the way the dark inks fade in some areas of the fins and the head ... Another goal is to do this with the least number of settings and steps, though I'm sure someone will tell me it can be done more easily some other way :)...